Tuesday, 3 December 2013
At the moment, it is simply a site where I review albums within the Ambient/Electronic genre. But I really want to expand it to become a business venture. I am interested in it becoming a record label, and a music management company.
I want to hire another one or two people to help me write more reviews, it's a beautiful job, basically listen to an album before going to sleep (this music actually has a tendency to make you sleepy) and write about the experience afterwards, no bad reviews, just good ones. I don't want to clutter the site with negative reviews.
I want to keep the site local at the moment, so any Australians interested send me a message. Once expanded, I will hire internationally.
Please please do this for me, music is a passion for me, help me grow this passion.
If you have any questions just inbox me, I'll be happy to answer.
My email: firstname.lastname@example.org
Thursday, 3 October 2013
|[Click on image for official Heinali website]|
Composer - Oleg Shpudeiko
Released - April 2012
- Tracklist -
1. Useless Music 1
2. Useless Music 2
3. Useless Music 3
- Review -
What a short but powerful piece of composition, and at the end I'm left wondering why it simply stops at three songs. However, this album doesn't need an hour long play to drift in your head, these three simple piano pieces are enough to send you into your dreams.
And yes, there is nothing complicated about this, just a talented young composer on a piano, no fancy sound affects or electronic wizardry. The recording is raw as well, you can even hear piano pedals at work. This simplicity gives the music breathing room, it flows and feels lighter than compared to contemporaries. It is not overburdened with any extra layers, and honestly the sound of that piano is so uplifting.
This is a gorgeous little album that takes straight to the heart, get it. It is a warm, enjoyable sound, it is not 'dark' ambient at all. It not even ambient yet still deserves a special place on this blog.
Saturday, 14 September 2013
|[Click on image for official XUN website]|
- Tracklist -
- Review -
As I listen to this album, I am constantly reminded of Atrium Carceri. The gritty industrial tone is certainly here, along with its own special something, which I'll try to figure out during this review. But welcome to XUN, take a seat, because you'll be blown away.
First of all the phrase 'more is less' certainly is one of Phil's favourites, each of these songs dares to shed layers for a much more isolated atmosphere, yet none feel paper thin. The distortion and grain behind each track simply gives that extra solidity, a blank canvas if you will, upon which this talented musician spreads his ideas. This slight distortion gives a special edge to the rest of the composition too, some of the music can seem abrupt, but never razor sharp, and I absolutely love this little element. It seems like it's coming from an old analog radio, it gives it a sense of age.
Each and every song is amazing but there are three that I want to talk about together, 'Ember', 'Clastic' and 'Morbid', and this is where I see an Atrium Carceri influence. The atmosphere in these three is just electrifying, it's spine-tinglingly dark. This is proper Industrial Ambience done without hundreds of layers stacked on top of each other. I can pick out about four or five, and that is probably the most layers in a Xun song (either that or they're so subtle and well-fitted I can't pick them out)
Overall this is an album that has completely terrified me; the music has so much grip and traction it almost feels like its crawling along your skin. It's deep, very deep. You like quality Ambient? I urge you to get this album.
Monday, 26 August 2013
The very first interview I have ever done, so my skills at questioning may seem a little rusty at times, but hopefully this will give you an enjoying read about the life and thoughts of a great ambient musician. Many thanks to Robert for being such a good sport too.
I think of Dark Ambient mainly as a genre or sub-genre. For me Dark Ambient is the music for the mind, not for the body, so it’s a meditative music, most of the times evoking feelings of melancholy or sadness, hence the tag "Dark" Ambient. A music with an electronic base derived from the industrial scene of the 70s and 80s and later combined with a lot of other influences, ritualistic, noise, tribal, new-age, post-rock, etc, but I think for most of the times Dark Ambient doesn't cover all those similar styles or sub-genres.
Thursday, 8 August 2013
|[Click on image for official Martin Stig Andersen website]|
Tuesday, 6 August 2013
|[Click on image for official Deep-pression website]|
Monday, 5 August 2013
|[Click on image for official Grzegorz Bojanek website]|
Monday, 29 July 2013
|[Click on image for official Atrium Carceri website]|
|[Click on image for official Virlyn website]|
Sunday, 14 July 2013
|[Click on Image for official Cities Last Broadcast page]|
Wednesday, 19 June 2013
|[Click on image for Official Moloch website]|
7. Graue Wolken unter dem Meer
8. Ein strenger Winter kommt
- Review -
Now don't worry, I haven't changed this to become a Black Metal blog. Yes, Moloch is well-known in Black Metal circles, but Sergiy's most recent releases, this album, and the release before (Abstrakter Wald) are full Ambient albums.
Not much in the way of complexity, Sergiy used his Ambient skills to create more of a background atmosphere, Black Metal usually taking centre stage. He has done away with his guitar and kit on this release, and lets this beautiful soundscape unfurl with no obstacles. Like I said, it isn't ground-breaking, and you may get a little bored with the repetitiveness of it, but in reality there isn't anything overly wrong with the concept and composition of the release. It depicts a wintery landscape which Moloch has perfected.
Recommended if you really like Dark Ambient music, or a diehard Moloch fan (which I am), The rest of you can still get it, to increase your music list (it will blend right in).
Friday, 7 June 2013
|[Click on image for official Diagnose: Lebensgefahr page]|
Wednesday, 5 June 2013
|[Click on image for official Atomtrakt page]|
- Tracklist -
Blut Unde Erst
Über Grenzen Hinweg
Flug in Den Tod
- Review -
Christoph Ziegler is already known for his main project Vinterriket, mixing elements of flawless Dark Ambient with Black Metal distortion, but his other project coming into the spotlight is Atomtrakt. While Vinterriket is nature-based, this endeavour is war/conflict-based.
Almost Neo-classical in description, war-like drum patterns, followed closely with amazing ambient barrage. German (what I guess) dialogue throughout the songs give another element not usual in most Ambient bands, the pieces feel stronger, more powerful, almost a inspirational to go on in the music. Deutsch language is beautifully harsh and during World War 1 and 2, a cold reminder of the power the country was in, Atomtrakt reflect this element so well through the music. Sampling of war has been done well, and is not overused, adding again to the cold atmosphere perceiving war-torn Germany. And Christoph himself adds deep, shouty vocals, which is a nice surprise, and fits well with the dialogue.
Beugen Sie unten zum allmächtig Atomtrakt!
Wednesday, 29 May 2013
|[Click on image for Official Alenda page]|
Monday, 27 May 2013
|[Click on Image for official Parhelion page]|
Themed around arctic landscapes, the music does not defer from this train of thought, giving the album an almost story-like feel (a concept album of no speech), in which the listener can truly be swept into and lost. And that is this album's drawcard, the atmosphere evolopes so easily, it can be easy to differ between the songs, it streams so smoothly. It relies heavily on distorted sampling (almost identical to Cities Last Broadcast) and, in most cases, keyed work is given a low priority.
Experimentation is what this album is, the use of unusual materials to create elaborate soundscapes is, and I'm sure everyone will agree with me, is the backbone of a good Ambient release, and Midnight Sun has it in spades.
Monday, 20 May 2013
|[Click on image for official Subinterior website]|
It might be me being too harsh though (only so much can be done in Dark Ambient before it becomes too avant-garde, which may make some musicians uncomfortable), but if your looking for anything exciting, this isn't it. Redeemable only by it's capabilities of sticking to the stereotypical formula of ambient music, which it does well (I'm not saying it's a terrible release). Clean production, sampling, keyed work, even some guitar work thrown in (very similar to Deep-Pression).
If you like your music to stick to 'tried-and-true', than this is it, and, if you're not looking for anything too amazing, you'll be amazed by this album, and enveloped into its atmosphere. Be grateful for simplicity.
Tuesday, 14 May 2013
|[Click on image for official Fredrik Klingwall website]|
Monday, 13 May 2013
|[Click on image for official The Parlour Trick website]|
- Tracklist -
2. Half Sick of Shadows
3. The Lady of the House of Love
4. Mare Desiderii
7. The Yellow Wallpaper
8. Leafy Sea Dragon Nursery
- Review -
Every now and then, there is a musical project pushes its genres boundaries, dare say, even the boundaries of music itself. Okay, The Parlour Trick may not push the boundaries of music (per se), but as a dark ambient 'ensemble' (a word I choose wisely) they create an atmosphere often not heard in Dark Ambient, the only other offering coming close to this is Karjalan Sissit (maybe Fredrik Klingwall). They play their own form of ambience interlaced with classical and chamber music influences.
But unlike Karjalan Sissit, this is more brooding than hectic. This solemnly blists as if directly taken from a horror movie. Intersperses of choir-like elements and weird plucked acoustics also poke heads out from among the orchestration, giving the album a much more dimensional sound. But what really gives this album its drive is that amazing orchestration, a mixture of Violin, Piano, Accordion and Harpsichord, just to name a few. This album is, I believe, one of the best examples of just how amazingly complex Dark Ambient can be, and how this genre is, unfortunately, undermined so often. This is a perfect release, trust me, you'll enjoy every bit of it.
Friday, 10 May 2013
Wednesday, 8 May 2013
|[Click on Image for official Brambles page]|
Tuesday, 7 May 2013
|[Click on image for official Forgotten Backyard page]|
- Tracklist -
1. Portraits of Travma
2. House of Lunatic Silence
3. Lightless Phenomenon in Hallway Darkness
4. Whispers of the Crawling Limbs
5. Anorexic Figures in Dust
6. Shivers of Fading Lights
7. Hum of Torture Contraptions
8. Hot Nyctophobic Drama (Pt 1.)
9. Origin of the Vomit Stench
10. Hanging Plastic Angels
11. Instructions of the Paranoid Minds
12. He Hanged Himself
13. Crying Among the Beheaded Ones
14. Awakening in the Shattered World
15. Moment of Realization
16. Hot Nyctophobic Drama (Pt 2.)
17. Constructions Near Death (Short Version)
19. Moment of Realization (Remix)
20. House Under Transparent Saucer
- Review -
Song titles like these just scream stereotypical Dark Ambient, and that's what you find on this album. To the likes Atrium Carceri, Forgotten Backyard came from humble beginnings, finding his (composer actually unknown) sound, and slowly evolving to this monstrous album.
The album, like I said, is mainly what you listen to on any Atrium Carceri release. It includes the same amount of sampling, shaping, distortion and keyboard work that you would find on, for example, Ptahil. In terms of musical prowess, this has all been done before. However, it has been done well, the atmosphere is drifting, with a lead weight, it feels deep and industrial, but still has a special sort of flow to it all (thanks to that amazing piano work). Another main element is the amazing dialogue throughout the album (done by Xun's Phil), almost like what The Axis of Perdition did with their Urfe release. An interesting side note, and one that probably helps with the flow, is that this is a concept album, which is what Phil was explaining through his dialogue. But you'll have to check the Bandcamp page to see what this composers on about.
|[Click on image for official Phaenon page]|
- Review -
I love albums like this, still the same length as a full length album, but with less songs. In this case four monolithic pieces of dirty dark ambient, all tracks clocking over ten minutes long (first and last being over 20 minutes). This will be an endurence test.
Now this isn't your dreamy, peaceful ambience, oh no, this is dirty, raw and industrial. It feels like stepping into some wrecked and decayed ship, the creaking and unexplainable noises, the low hum from a machine still switched on. This is professional sample-based ambient, however the only drawback is the length of individual songs, and the lack of exciting elements to keep you interested. But if you can stand the length, you'll love the sounds.
Sunday, 5 May 2013
|[Click on image for official KoldVoid Page]|
- Review -
Now this isn't a brand new baby project, KoldVoid have been around since 2008, producing some consistently good pieces of music, all which have now culminated into this album, Roadside Ghosts.
The album does include some older writings back from years ago, and the piece Arctic Silence seems to be just a rehash of an older song with a different name (whether this is just a rename or is an evolution of the older song is unclear). But the album flows so seamlessly from Start to End, it feels as if all were written together. The tempo is at a mid to slow pace, which gives the album quite a lush and dreamy atmosphere, It doesn't rely on sampling and when there is some it is generally of a lesser importance to the piano/synth elements. Distorted guitar effects are also used.
This album is such a breath of fresh air, many ambient artist get carried away in the production, adding too many elements to songs and ruining it in the process, they feel rushed. But not this album, this is perfect, simple synth work from a talented artist, and should be a benchmark for aspiring musicians.
|[Click on image for official Sundrugs Page]|
- Review -
When I first saw this album, floating around on other blogs, the cover immediately caught my eye, I'm sure we've all impulse bought (or downloaded or listened) an album just for the amazing cover. A lady smoking, doesn't seem too much, but the distortion of the picture makes it look very "dark ambient".
Now I shall focus upon the music, because once opened, this album will lead you into a whole new world. The composition is simplistic, but not amateurish, and perfectly suited for those cold, wintery days of easy listening. Some sampling is strewn throughout the album, and while this is effective in adding to the atmosphere, a little bit of extra work distorting and shaping could have helped the production. But this doesn't at all let the music down, gorgeous soundscapes have arisen from that lovely cover, and from an amazing project. And I hope to see more soon from Patryk.